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It is they, after all, who are controlling the Machine-putting the 33.3¢ Illuminati coins-collected by the Jackal-in it which make the cogs start turning to generate each new scene of coupled polar cards … The Play is also socio-historical, as The Fool apprehends the escalating frenzy of ‘progress’ & technology in the post-modern world which the audience also must deal with.
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The journey brings him eventually full circle back to the innocence of Zero but with a new layer of Wisdom and Understanding … Through a series of ordeals he confronts and accepts the shadow of Choronzon as he progressively opens to ever more layers of complexity in the hidden mechanisms of the universe.
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On one level this is a personal journey, as the Fool with a child’s innocence heedlessly plunges past the dweller on the threshold and into the Abyss. “In the ritual theatrickall-musical device we call The Chrononzon Machine the Audience Initiates follow the Fool Initiate’s journey through the Great Wheel of the TARO/ROTA, as he cycles through different refractions of Self as reflected through the archetypes of the Major Arcana. I picked this up a few years ago primarily for the track “ Melek Taus“, about a figure of importance with the Feri Tradition which I also later found mentioned in relation to Aleister Crowley’s Aiwass, and to a lesser degree because of the name of The HarleQuintet. The Choronzon Machine: a Multi-media Multi-cultural Multi-subcultural Ritual Opera by the Metamophic Ritual Theatre company, written and more by Orryelle Defenestrate-Bascule (credited on the cover as Orryelle Bascule-Defenestrate), with music by The HarleQuintet, a 2006 DVD of enhanced live performances from 2001, is part of the collection at the Reading Room.